Showing posts with label J Dean Pate. Show all posts
Showing posts with label J Dean Pate. Show all posts

Sunday, March 21, 2021

FINDING WORDS to PUT MEAT on the BONES of a STORY


By J Dean Pate

After fifteen years writing radio and TV news copy (way back in my 1960’s smoking and drinking days) my default style years later still is bland, plain vanilla language mainly emphasizing activity. In working on my book, this default setting results in telling rather than showing characters and scenes. It may be good for radio newscasts but not for novels.

My storytelling is forthright but not exactly richly detailed.

Recently, I picked up a book I’d read in college, The House of the Seven Gables, by Nathaniel Hawthorne. I was impressed with the words Hawthorne used to set the scene and describe his characters. The variety of word choices also had me using my laptop to find definitions to understand what he was saying.

Tracking down Hawthorne’s words set me to thinking. It might be useful to use the web or dictionaries, etc. to create a list of words specific to my story. From that I developed a thirty-minutes-a-morning routine of searching for words to help characters and events come alive.

As I worked along, the list grew into sections: descriptions of character, behavior, facial expressions or movements, desires, fears, habits, and thoughts. The exercise has been a helpful tool for identifying words I may have misused and replacing them with those more appropriate.

Now part of my routine includes reviewing the entire list each morning, which helps jump-start my writing.

The web, to me, is an easier resource than flipity-flipping through dictionaries or thesauruses, which I resist, especially if I'm unsure what I'm looking for. It’s easier to Google How do you say…than thinking of what you want to say then turning pages in a thick book for a word you think might work, discovering it doesn’t and being left with where do I look next?

If only Hawthorne had access to Google. Perhaps his phrases might have been forthright and accurate instead of rich but obscure.

Hope this is helpful.




Sunday, November 15, 2020

CREATING STORIES OR ARTICLES THAT PULL READERS IN. WOW, HOW CATCHY.


By J Dean Pate

One of my favorite writers, Columbia’s Bill Fox – Southern Fried — would bore-in and magnify and magnify again, peculiar traits of his characters. Then he would stretch them through misguided desires or conflict into hilarious episodes that kept readers turning the page.

For me, it is a struggle to bring my characters and story to life because of being stuck in exposition mode from my days as a broadcast news writer. This leads to results at times that read like I’m writing for speed readers because I want to get the story over with, because TV copy is short.  

“Once upon a time flip … everything was good flip … (oh my god, I must fix this so I’ll add in) . . .  and as she held him tightly Angelica knew in that moment she and Raoul would spend eternity …  sigh/throb…together.”  — Yay, Yahoo!!!

My writing group has been helpful with suggestions. And I have found several books to help me find my way. 

Mystery writer Jane Cleland recommends plot twists to keep readers wondering, “What happens next?”

Whether they be mysteries, a memoir or literary nonfiction, she says the story needs to pivot and turn to avoid boring readers. She says plot twists, reversals and dangers should be counterintuitive, grounded on emotion while utterly unexpected. The goal is to create intrigue and credibility by presenting evidence. Readers need to trust you are revealing emotional truths through believable incidents.

She offers the following questions as guides for developing effective TRDs:

· What does the reader expect to happen next?

· What else could logically happen? (Twist)

· What is the opposite of the readers’ expectation? (Reversal)

· Could something emotionally, physically, or spiritually frightening or dangerous occur (Danger)

· Does the TRD surprise the reader?

· Will it add tension or intrigue?

· Is it credible?


Plot Twists, Reversals and Dangers from Mastering Plot Twists, Jane K. Cleland, Writers Digest 2018 ISBN-13:978-1-4403-52331