Showing posts with label Encouragement. Show all posts
Showing posts with label Encouragement. Show all posts

Sunday, June 9, 2019

PERSPECTIVES ON WRITING AS A CREATIVE PROCESS

By Ruth Saunders

The quantity and quality of words placed on the page are not determined by the amount of time spent writing. Inventing prose or poetry moves forward in fits and starts interspersed with occasional steps backward. On good days, words flow from the fingertips. On other days, hours of hard work produce one line which is later deleted. The outcome is uncertain each time we write. 

This fickleness is one of the reasons getting started is difficult. Another is the human tendency to continue doing the same thing. Overcoming inertia of rest, or the state of not-writing, takes energy. Writers must negotiate the reality of moment-to-moment uncertainty and the challenge of  inertia. I cannot change the unpredictability of the creative process or human nature, but I can offer some observations about writing as an activity.

First, the process is effective in the long run; one period of writing may not produce much, but consistent writing moves the work forward. Frequent practice alters the beginning state of inertia from not-writing to writing which begets more writing. More frequent sessions lower the stakes of each. Knowing this enables me to be more realistic about a single session and to keep going.

Second, it is easy to get frustrated and fall into the habit of nonproductive self-criticism. Internal dialogue such as “Why do I bother?” and “I am not good at this” tends to shift us toward a state of not-writing. But this thinking is an emotional reaction to a transient situation; it is not a reflection of yourself as a writer. It can be useful to create a positive internal dialogue that recognizes the other side of the coin, tailored to resonate for you. Examples which work for me include, “I love words” and “I am good at reaching my goals.”

Third, not all writing will be at the optimal level. Perhaps some people routinely produce the highest quality work, but most of us write a lot of ordinary lines, paragraphs, and pieces. Realizing this results in “perfectionistic procrastination” and not-writing. I remind myself, as I did when I played basketball in high school, you must shoot to score—but they’re not all going in. This means you need to shoot more, not less. High scorers take risks rather than waiting for the “right moment.” It’s commonplace advice, but you must keep writing.

Our perspective on the creative process of writing affects the way we feel and what we do as writers. Challenging our habits, expectations, and internal dialogue can reduce stress and make it easier to start and maintain frequent writing sessions, and this can enhance work quantity. Seeking and managing feedback from other writers is essential to improving writing quality. But that is the subject of a future blog.

Sunday, October 2, 2011

Dealing with Rejection

By Shaun McCoy

You did it! You wrote that story. You sat down there in front of that accursed word processor and opened up a soul-vein. Your soul poured out of it like an artistic geyser of prosaic verbosity, blasting plot, character development, and witticism into the greatest story ever written by un-unaided mortal. More than that, you found someone to send it to. Someone who says they like character driven stories. Someone who has a professional looking website. And you sent your baby off.

…And you waited…

You're response: a form rejection letter.

Thank you for submitting your story, but I'm afraid it just doesn't work for us. It's not you, it's me. Really. You've got a very special editor out there, alone in the world, who can appreciate your story for who it truly is.

-Editor

What? Didn't they read it? Stupid editor probably went for some leather wearing, motorcycle riding, bad-boy story. Some manuscript who wears dark sunglasses and treats editors like Chihuahua poo. How dumb could that editor be? I mean, they say they like character driven stories, but look at that other Labrador doodoo they publish? Editors never say they want what they really want. Nice stories finish last. It's time to go home, drink and prepare your story for a life as an old cat lady.

But wait…it doesn't have to be this way. This story is a good story. But what can you do? Maybe it's time to bite the bullet and meet that agent your mother always talks about. Or perhaps internet or speed dating?

Internet or speed dating? Durn right!

It's time to go eHarmony on those b$#@tches.

While it may be inappropriate to ask out every dude at a bar, that strata"gem" will only help you in the attempt to shop around your writing.

What we need is a system. We need to email out that manuscript like it’s a snuggie on the QVC. We need to turn your home computer into a spam server that will make lolsec look like an 85 year old AOL user.

The first step is to make a list. Find a slew of Agents/Publishers where you can send your manuscript. You can find them with Google, a website like duotrope, a Writers's Guide from a semi recent decade, or any other source. Then map your story's path. That's right, assume rejection. Be ready for it. Relish it like it's Laura's Crème Brulee. If the editor rejects it, pass it on through to the next one in line. Unless they give you some advice on how to improve the story, or you see a problem, send that puppy right back out there into the rain. Keep those birds in the air. Don't let that story sit un-submitted for more than a day. Simultaneously submit whenever possible.

…And write more! The biggest lie about publishing you'll read on the internet is that it isn't an odds game. Well, maybe not if you're already a fancy schmantsy uber writer, or if you're so bad your work gets rejected from fan fiction websites. For the rest of us, there are many editors which would say no to our stories, and a handful who would buy them. You've got to find the handful amidst the unappreciative masses.

Don't wait with just one. Keep writing and keep learning, and then get those birds in the air.

As a personal example, I calculated that if I were to only submit one story at a time, that I would have to wait nearly three years in-between short story publishing. With ten stories in the air I get one published every three months.

On the internet they'll tell you trite things like "don't take it personally." Pansies! Rejection is weakness leaving your manuscript, what doesn't corrupt your computer's hardrive makes your story stronger. Get back out there on that horse and date the prom queen! Get your story a motorcycle and sunglasses. And whatever you do, under no uncertain circumstances, don't stop writing—or get drunk.*

*Unless you've had your work rejected by a fan fiction website. Then it's time to start drinking.

Sunday, May 1, 2011

A Man and His Passion

By Ginny Padgett

Recently HBO aired a remake of Mildred Pierce as a mini-series, starring Kate Winslet. Many of you will recall the 1945 Joan Crawford version. During the credits I noticed the movie was based on a novel. Since I had mistakenly thought this script came from an original screenplay, I was curious about the author of the original work. Quick research yielded more surprises.

James M. Cain, the author of Mildred Pierce, (the first ever block-buster novel) wrote several other novels that were made into big movies: The Postman Always Rings Twice, Double Indemnity, and Serenade. In addition, I found a collection of his short stories entitled The Baby in the Icebox and Other Short Fiction, which I checked out from the library.

His introduction to this book of short stories was more interesting to me than his fiction. His father was president of Washington College in Chestertown, Maryland. The younger Cain graduated from that college at seventeen, after which he spent the next four years drifting from one job to another, including teaching grammar at his alma mater. One day in 1914, “out of the blue…he heard his own voice say: ‘You’re going to be a writer.’”

He was not successful at first, but he was committed and kept writing. He enlisted in WW I, came home and spent three years as a reporter for the Baltimore Sun, and began to work on his first novel. After three drafts, he threw them all away. While he was writing a column for the “Metropolitan” section of the Sunday World, his short works were published in the Atlantic Monthly, the Nation, the American Mercury, the Bookman, and the Saturday Evening Post. When the World folded, Cain went to the New Yorker magazine where he was very unhappy.

Upon the advice of his agent, he accepted a job as a screenwriter at Paramount Studios and moved to California. He was let go after six months: another failure. However, he decided to stay on the west coast and try to make it as a free-lance writer.

He found his voice and his characters in California, and he enjoyed his highest success as a novelist during the 1930s and ‘40s. Eventually, his work fell out of favor with the public and critics. He moved back to Maryland in 1953 and wrote twelve more novels – but only five were published before his death in 1977.

James M. Cain is my new hero because he never stopped writing, even when it became unprofitable. He felt that “those who can write must write.” I’ve adopted this as my personal motto. In addition, his experiences speak volumes to me about determination and passion.

I leave you with his quote about the practice of writing, recorded during the time he was working on his memoirs just before he died. “It excites me and possesses me. I have no sense of it possessing me any less today than it did fifty years ago.”