GIFT BOOKS

By Bonnie Stanard

 

I don’t give as many books as gifts as I should. After all, it reminds my friends and family that in this age of instant entertainment, there’s still a place for books, or in other words, solitary introspection. Given the impact of Instagram, Facebook, Tiktok, etc., today’s youngsters may grow to fear being alone.

 

All of which makes gifting books a good idea. A person, especially a child, can tolerate and even enjoy being alone when they’re with a book they enjoy.

 

Our inclination is to make presents of books we like, but that’s not always a good idea, especially if you’re unsure of the giftee’s taste. My husband likes mysteries, which I don’t read. Unless I go for nonfiction, my book selection for him is like a shot in the dark. So how do you make a choice?

 

One way is to think of movies they like. Often the book is better than the movie. Script writers who hew a novel’s text down to fit a 90 or 120 minute-movie leave out concepts, feelings, and those abstract things that make us human.

 

If your giftee liked the movie “The Life of Pi,” give them the book. Author Yann Martel offers more to think about than the movie. Here is a sampling of other titles that were popular movies and are well worth revisiting as books.

 

The Godfather by Mario Puzo

Pillars of the Earth by Ken Follett (Series)

Brooklyn by Colm Tóibín

English Patient by Michael Ondaatje

Roots by Alex Haley (Series)

Shipping News by Annie Proulx

Girl with a Pearl Earring by Tracy Chevalier

Kite Runner by Khaled Hosseini

Girl with the Dragon Tattoo by Stieg Larsson

(BTW the Swedish movie with Noomi Rapace is better than Hollywood’s rip-off)

 

Here are examples of mundane movies which were made from good books, so if a person liked these movies, they may LOVE the book.

Cold Mountain by Charles Frazier

Lonesome Dove by Larry McMurtry (Series)

Memoirs of a Geisha by Arthur Golden

Perfume by Patrick Suskind

Wolf Hall by Hilary Mantel (Series)

 

My family often asks me for gift suggestions, and though I like to get books, I’m reluctant to name titles. I enjoy knowing their choice of a book. Invariably it tells me something about them.

 

As we indulge in this season’s craze of sparkle and shine, let’s not forget the quiet value of books.

 

 

The Girl with the Dragon Tattoo, American Version

By Laura P. Valtorta


Lisbeth Salander does not care what the world thinks of her, nor would she ever fix coffee or breakfast for anyone. She is the hero of Stieg Larsson’s bestselling novel, Man som hatar Kvinnor (Men who Hate Women). The American screenwriter, Steven Zaillian, fails to realize this, while the Swedish screenwriters of the 2009 film, Nikolia Arcie and Rasmussen Heisterberg, got it right on target.

Everyone should read all three books and see all three Swedish movies before they watch the American imitation.

The American film hands too much power to Michael, Lisbeth’s counterpoint. It was LIsbeth who solved the mystery of the bible verses in the book, not Michael. The American film turns that around.

The American director, David Fincher, also takes away one of Lisbeth’s key scenes. When Michael comes looking for Lisbeth, who has been hacking into his computer, he confronts her in her tiny, messy apartment sleeping with her longtime lover, Miriam. In the Swedish version (and in the book), Lisbeth stands there staring hard at the intruder. She does not care what Michael sees, and she allows him to drink spoiled coffee, which he spits out into the sink. The American story has Lisbeth ashamed of her lover and practically cowering, as Michael chases Miriam out. The Swedish Lisbeth would never allow that.

The real Lisbeth would never make breakfast for Michael, either, but strangely, that happens in the American film after they make love for the first time. In the Swedish film, Michael makes the breakfast and Lisbeth wolfs it down.

The worst indignity of this American imitation film is when Lisbeth asks permission to execute the murderer. In the book, Lisbeth allows him to die, but Michael chastises her for it afterwards.

Great acting saves the American film, despite the misogynistic screenplay and bad directing. Thanks to Rooney Mara and Daniel Craig, this film is worth watching. Even Robin Wright is fun to hate. Lisbeth’s costumes are excellent as well.