About twenty years ago, I received an offer to try
out MindJet,
a mind mapping software. I downloaded the free trial and was hooked within
minutes. Decades and many upgrades later, it is still my go-to writing tool for
outlining, story plotting, and many other uses. Since Mindjet is now over $300,
I’d recommend Scapple
($14.99) or some other free or inexpensive mind mapping applications you can
find online. Or, you can simply draw your mind maps the old-fashioned way with
paper and pen.
Tony
Buzon, the author and education consultant who
popularized mind maps, explained them as “a universal key to unlock the
potential of the brain.” Remember those word association games? If I say
“vacation,” you may think of “beach,” and then your mind jumps to whatever memories
you have of your favorite beach trip . . . and so on. Over time, Western
civilization has imposed left-brain, linear thinking into our psyches so that
we apply logic, organize, and list before we explore and create. (That’s why
traditional, linear outlines can kill a good story.) Since our minds don’t
naturally function in linear mode, mind maps unlock our brains, as Buzon said.
When you’re starting a book, a short story, or even
a scene, your mind may be filled with ideas bouncing around, with your synapses
firing away. To tame this “monkey mind” jumble of thoughts, there’s nothing
more effective than mind mapping. It allows you to get those thoughts out of
your head and onto paper quickly without worrying about sequence or
organization. And, if you enjoy brainstorming with yourself, as I do, mind maps
can be your best friend.
By the time I sit down to write a book, bits and
pieces of it have been bouncing around in my head for months. At that point, I
don’t know the whole story, but I can imagine some of the beats: plot events
that change the course of the story. They might be in the middle, at the end,
or near the beginning. It doesn’t matter at this point, so I start with “Book”
in the middle of the map and draw nodes or branches from that central idea for
each of the beats. If I can map at least ten key beats, I know I’ve got a
potential book.
Once I’ve mapped these beats, I move them around,
connecting them in various ways and exploring how they relate to each other.
Sometimes, it looks like they’re not related at all, but if I keep mapping, the
story emerges. Later, I might map out a specific chapter or scene. Or I might
map out a character profile to understand her better. The possibilities are
endless.
Given the space limitations of this blog post, I
can’t show you visual
examples, but I urge you to do an online search (e.g., mind
map + writing) and then give mind mapping a try. It could transform the way you
write.
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