By
Laura P. Valtorta
Before sitting down to write prose, paint a picture, or
conceptualize a film, it’s important to understand the message that the art
will deliver, whether it’s the juxtaposition of shapes and colors, or a
philosophy about the meaning of life. These days, I’m writing a novel about
diversity that I hope to translate into a film. My films are mainly about
women’s rights and ordinary people who ought to be famous. Without a message,
art is empty.
The films at the 25th annual St. Louis International
Film Festival (cinemastlouis.org) are helping me to retain my confidence in the
United States. They celebrate diversity of every kind (language, age, skin
color, gender identity, and cultural heritage). I was struck by the clear
messages in each film, and how they inspired me to think. I’m proud that “The
Art House” is being screened here.
The first film that struck me was “A House Without Snakes,”
a short about the bush people of Botswana. Is it better to go away to
engineering school in the United States or stay on the land that has sustained
people for hundreds of thousands of years?
Even though I’m trying to pace myself, I saw two features
and a block of shorts yesterday. The first feature was After the Storm, by Hirokazu Koreeda: a Japanese comedy about a
has-been novelist who becomes addicted to gambling and neglects his family.
Koreeda seems particularly worried about Japan’s aging population and the
break-up of families. No diversity in sight in this Japan. Looks to me like
they need some immigration and new blood.
Yesterday I also watched Rendezvous,
a feature-length comedy/adventure by Amin Matalqa, a Jordanian-American man who
grew up in Ohio. The story is straightforward and predictable; a doctor travels
to Jordan to retrieve the body of her slain brother who was an archaeologist.
She gets caught up in a plot to steal some ancient scrolls. There are plenty of
car chases and funny mishaps. What’s unique about this adventure is that the
doctor is a Jewish-American woman who falls in love with a Jordanian-American
man. The villains are extremists of every sort – including Christian
fundamentalists.
We can count on art to help us. Recently I’ve been reading Canned: How I Lost Ten Jobs in Ten Years and
Learned to Love Unemployment by Franklin Schneider. This Schneider guy is
nuts, but I love him. In his depressing way, he has a lot to say about American
society and our consumer-oriented values. This is definitely a message book, one
that makes me laugh and ponder the world. That’s what good writing does.
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