By Olga Agafonova
Certain kinds of music conjure up entire cinematic sequences in my mind and I’d like to share a few of these compositions with you along with some comments.
“Loud Places” by Jamie XX from the album “In Colour” (2015)
This understated, soft and yet vivid song brings to mind a relationship that blossomed in a remote cityscape, two lives intertwined in London, New York, Singapore. There is that one apartment light in a city of a million lights and I watch the couple, her making him a part of her life and him experiencing things he never had before. Then it all falls apart one day and she is there all alone at a bar at the top of a skyscraper looking for him in a crowd and finally spotting him arm-in-arm with a stranger.
This is a gospel song recorded by Blind Willie Johnson in 1927 and covered since then by numerous artists, including Josh White, Led Zeppelin, and Bob Dylan. Led Zeppelin’s version is exploding with almost too much energy for a song about a man contemplating his end but I do like the repeating “Oh my Jesus” and the “I can hear the angels signin’ ” at the end. I don’t hear the angels signing yet but I do like the idea of going out with that kind of fearlessness.
“The Four Seasons: Spring” by Max Richter from “Recomposed by Max Richter: Vivaldi, the Four Seasons” (2012)
I like the entire album. Richter’s variations on Vivaldi are exquisite: he brings enough of himself into the music to make it startlingly new and raw. A thousand stories can bloom on this fertile soil – after all, this is classical music, abstract enough to project whatever we want onto it.
“Endless” by Dave Gahan from “Hourglass (Studio Sessions)” (2007)
I’ve been listening to Depeche Mode and Dave Gahan for over a decade now. Their albums from the 80’s have an excess synth-pop sugar for my taste but starting from the mid - 90’s onward, their music has matured into something deeper. The acoustic version of “Endless” brings forth images of hovering above the Earth at night, being drawn to the stars and then being in the back of a taxi, going together with someone special in some other world, some other life where things work out the way exactly the way we want them.