Marco and I had a grand time watching White Rock Boxing in the 269-seat movie theater at the beautiful School of the Visual Arts in
. Alone. New York City
That’s right. We were the only ones who showed up. The flat-nosed boxing reporter who promised to show up (he was there to watch the Dutch documentary two hours earlier) decided to hang out with some boxers who attended the short films in the other theater.
White Rock Boxing looked brilliant on the big screen. Even the music sounded good. The colors were just right. One hundred percent of the audience was delighted with the film.
What I learned from this experience is that television rules. When White Rock Boxing aired on South Carolina Educational Television two times (count ‘em – two) we had a potential audience of four million viewers each time. At least I like to believe that. South Carolina ETV rocks! It’s mentioned as an excellent venue in the book the Screenwriter’s Bible.
(owner of Genesis Studios) and I
are wrestling with the conundrum of distribution. How can independent films
find the largest audience? Film festivals? Television? Streaming on demand? So
far, television seems the best bet. We also have to try out streaming—but
where? DVD sales. How? All ideas welcome. Cliff Springs
For people trying to find work – here’s an idea. Cook up a plan to market independent films. Because the films are all so different (length, quality, subject matter), the service has to be tailored to each film. And find a way for producers to make some money. You will be a millionaire in no time.
The Sundance festival sucked in more than 12,000 entries. This gives some idea of how many independent films are being produced each year. My short was not chosen. But this sparks in me a desire to produce more films. I want to get better. I’m sure other writers and producers like me share the same passion.