By Kimberly Johnson
Ba-ba-badaa. With those three beats, everyone in America knows
that Law & Order is on the tube.
Cue the fluttery flutes and wait for the get-down-with-it guitar riffs, and
suddenly the men and women of law enforcement are policing the NYC streets for
the next 60 minutes.
I’ll admit it—I watch Law
& Order for the actors (Ice-T, Jerry Orbach, Chris Noth). I really stay
tuned because of the thought-provoking storylines. Enter Rene Balcer, the
Emmy-winning producer of the NBC crime drama. Balcer, a Montreal native, held
several writing jobs on the set: a show runner, an executive producer and a
head writer.
After watching a show featuring Robin Williams, I thought:
How does journalist/freelancer/part-time wordsmith secure a gig in Hollywood?
I pulled up The Writers Guild of America’s website and
clicked on the Writing for Episodic TV section. The WGA provided tips
for my pursuit for fame and fortune:
Tip #1: I need a
spec script. This is Hollywood talk for a work sample that has not been paid
for nor commissioned. Opinions vary on whether I should write a spec for a TV
show, a pilot or a screenplay or submit an original body of work. Glen Mazzara,
a former executive producer of The Shield, sums up: “When I was trying to
figure out how to break into the industry as a TV writer, someone explained to
me that a spec TV script is your version of an episode of a show currently on
TV. You pick a show that you like, that you feel you can write, and write your
version to show as a writing sample. It has no connection with the actual
series.”
Tip #2: I need an
industry insider to read my spec script. For a fresh-off-the-bus type like me,
a freelance writer must network. I found this WGA’s advice very helpful:
“Resourcefulness and determination are common themes. Remember, all you have to
do is impress one “right person,” a person who can hire you to write a script
or who can put you in a room with a person who can hire you, and you’re on your
way.”
Tip #3: I need an
agent, I think. Writing a good spec script is the best way to pique the
interest of an agent, according to the WGA. It provides a list of Guild
approved agents and agencies for members and non-members.
Later on tonight, I’m watching another episode of Law & Order. But this time, I’m
taking notes on dialogue, plot, conflict--you name it, so I can start work on
my spec script. I’ll let you know if I need an agent.
Source: http://www.wga.org/
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