Sunday, March 15, 2020

EXPLOSIVE WRITING

By Sharon May

I have enjoyed reading quotations since I was a child, reading them just like I read the World Book Encyclopedia. Bored in elementary school, I figured I better educate myself through reading as much as I could. I was drawn by the succinct nature of quotations, fascinated by the authors’ ability to establish a philosophy or world view in just a few words. When I was looking for ideas for this week’s blog, I turned to quotations on writing for inspiration. Wasn’t long before I found one whose complexity and imagery intrigued me.

In Zen and the Art of Writing, Ray Bradbury describes his writing process in this way: “Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spend the rest of the day putting the pieces together.”

The author “jumps out of bed” each day, seemingly approaching his work with excitement and anticipation. Most of us realize that feeling as we plan what we want to accomplish and know that day is going to be productive. We are all optimistic – as we approach the writing task.

Bradbury quickly throws us for a loop as he steps “on a landmine,” and experiences the violence of writing in that realities are created and exploited, words are brought to life, then revised and often abandoned. Ironically, writing isn’t the landmine, the writer is. It’s like we have to destroy ourselves during the writing task to be good writers.  

The question arises: Is the violence of stepping on landmines positive or negative? If the explosion and the act of “putting the pieces together” leads to productivity and a better written product, then it’s obviously positive. However, that explosion may trigger doubts, frustration, hesitation, and “blocks.” Bradbury might be implying that the writer can get in his way of writing. He could also be implying that that reshaping of the writer’s mind can lead to creativity.

Whatever Bradbury means, the quote reminds me of how I feel during the revision process. Whenever I write, I have a tendency to revise during drafting. I will think of words for a sentence, and halfway through typing it, I decide a word doesn’t work or the sentence needs to be restructured. No matter how much I try to just write, I can’t help but revise during the drafting process.

Once I have a draft, then “real” revision occurs, and it is often a violent revision, cutting words and scenes, changing dialogue and modifying characters, adding new chunks of material. Sometimes, I have a draft of 20 pages, and once I’m done revising, I only have 10 pages of good writing. This necessary step is like “putting the pieces together.”

In the end, I find Bradbury’s words, particularly the violent metaphor, disturbing and freeing. He and I find the work of writing, both in our heads and on paper, difficult and destructive, but ultimately satisfying. Like Bradbury, I keep stepping on the “landmine.”  


 

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