Just 20 years after the first version of the book was written.
Just six years after the modern version of the book was dusted off and shared
in a workshop. Five years after beta readers. Following a developmental edit
and two line-level copy edits, we now have the ninth iteration of the text.
What I’ve learned is that the really good work takes three things:
time, persistence, and professionalism.
The story needed to unfurl. I needed to mature as a writer, get
some distance on the text, and become capable of recognizing what works and
what just doesn’t. (Then cut the latter mercilessly.) Working out character
arcs and tracking plot points, tightening scenes to get the most out of them,
deepening characters past clichés and into realistic people.
I really wanted to tell this story. I stuck with it. My workshop
readers didn’t like the main character. My friends suggested the entire thing
was nostalgia. My sister said it was too autobiographical to be public. But
Brian’s voice is in my head and so I stayed with this story and I pursued
publication knowing when the time was right, I’d know it.
There are a lot of things I’m capable of. Even when it comes to
books – writing, designing, marketing, sales – there are a lot of things I know
and even more things I could figure out if pressed. But there are professionals
who already know those things. Who can be trusted and paid to do the things I
am only “capable of.” I hired them.
I’m a tortoise. I take my time, understand the end goal, and move
steadily toward it with purpose and intention.
The hares dash by, put their books up on Kindle Unlimited, reduce
expenses on marketing by working without a distributor, and work the strategy
that volume will cure low margins.
I may not make a lot of money for my publisher (sorry, Alexa!) and
I may not build a career for myself that enables me to walk away from teaching.
The goal has always been to tell the stories inside me. So I’ll keep writing
them. And polishing them. And publishing them (hopefully) so that others can
experience them.
Not by the hundreds. But there may be a dozen. And maybe I’ll be
invited to speak at literary festivals. And maybe my work will be required
reading in an American Lit class. Or maybe it’ll be someone’s favorite book.
Maybe it’ll make someone else want to write, too. Even if it takes
20 years to see the fruit of that labor dangling over the path as the tortoise
inches by.
We sometimes forget that professional writers who churn out two or three books a year have supportive staff, and who knows how much of the writing comes from support? My guess is that those of us writing with no agent or publisher are tortoises, and we needn't compare our output to professionals.
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