Bonnie Friedman's
Writing Past Dark is not a new book.
It was published 20 years ago, but its content remains fresh and relevant. The
book is a writing guide offering little actual guidance – no ‘how-to’ on plot,
character, or dialogue. No tips on technique. That isn't the point. In the
author's words, the book is conceived as a companion, a "friend departing
in the opposite direction who [you] can anticipate meeting in the middle"
on the otherwise solitary journey of writing.
The book is
organized into eight essays, each a manageable size for digestion in one
sitting, about the "emotional" side of the writing life. The essays
deal in turn with envy, distraction, hurt feelings, writing school, judgment,
meaning, writer's block, and success.
Throughout,
Friedman presents writing as a slow-developing process that begins on the
inside--one that starts with a love of the process rather than hopes for any
particular outcome. Preoccupations with success are external distractions that
only get in the way. In The Wild Yellow
Circling Beast, Friedman speaks of not being able to write until all
thoughts have been separated from outside authority. She describes writing as
happening in a place "like a chamber that registers the images of a
photograph, and which must be kept dark for the picture to be captured."
Friedman also
addresses internal judgment. "[O]ur
obsession with perfection [makes] us mute," she says in Message From a Cloud of Flies. In Anorexia of Language, she further suggests
that a reluctance to write may actually be a reluctance to destroy the
beautiful vision in one's mind by putting it on paper, where it will be
imperfect. Writers must set this "non-book" in their head aside and
allow imperfection in the real book in order to move forward.
Finding meaning
in all this work is a topic that weaves its way through the book. In The Story's Body, Friedman builds a case
that there is no need to insert "hidden meaning" into a story.
Because the world is "imbued" with meaning, to write about this world
(and the things in it as perceived with the five senses) will naturally give
rise to meaning. In other words, writers don't create meaning; they communicate
meaning that is already present in the world. "I saw books milked the world,"
Friedman says in The Paraffin Density of
Wax Wings. A writer's task is to find "the optimal arrangement of
words to convey the most meaning possible."
Writing After Dark does not offer technical insight on how to find
this optimal arrangement of words. There are other books for that. What this
book does do, in often beautiful language embroidered with insight, is
encourage us to live well and to write with abandon. And, through writing, to
"heal the rift between the hours we've lived through and the authoritarian
grid of language."
This sounds like a great book. Thanks, Janie!
ReplyDeleteI need to pick up a copy. Thanks, Janie.
ReplyDeleteYour review itself is an insight into some of the indecision and fear that go into writing. Thanks, Janie.
ReplyDelete