By Marion Aldridge“Writing Non-Fiction
Articles and Columns”
Marion Aldridge
for July 7, 2013,
SCWW Blog
“Two types of
writers fall short; those who write well about unimportant things, and those
who write badly about important things.”
Edward Hoagland, Tigers and Ice
Bodies don’t
fall out of closets in most non-fiction, which is what I write. Short of corpses,
I try to begin my articles, columns or chapters with some startling fact, or a
clever, edgy, surprising, or funny phrase or story. Is there an elephant in the
room that needs to be named? I like it when my writing provokes an “I can’t
believe you said that!” response.
Start with a
bang, and then assume that your reader has Attention Deficit Disorder.
Write about your
passion. If the subject bores you, pity your poor reader.
Upgrade the
verbs and adjectives in your document. If you treat one subject frequently,
create your own thesaurus for that topic.
Avoid
duplicating words, unless you use repetition for effect. I am utterly
predictable in my critique groups. When someone uses the exact expression two
times in close proximity, I will circle each instance. If the author returns to
the cognates of that term over and over in the course of a manuscript, I
believe a writer must find a way to say the same thing differently.
Read. The first
time I heard someone declare that though they wanted to write, they did not
enjoy reading, I thought that might be the stupidest confession I have ever
heard. If you don’t like to read, don’t write.
Be witty. Even
in the most serious of novels, odd and quirky events provide texture to the
narrative. Entertain. Light and airy is better for most people than dense and
intense.
Read what you
have written out loud. Revise. Cut. Get to a fifth draft and a sixth draft. Whatever
it takes. No short cuts. Composing an article is torturous and tedious work for
me. I have served on boards when people would ask me, “Would you write up an
account of this meeting? You are a good writer.” Would you ask a painter to
sketch a watercolor of the meeting? Would your request that a pianist provide a
melody describing the meeting? The person making the request doesn’t understand
what they are asking. Writing, for me, is serious business and hard work.
Give the readers
some way to respond to your composition with their senses. What in your article
can they taste? Or smell? Get them to snap their fingers. That involves sound
and touch. Don’t let the reader get bored or go to sleep. Can you add some
color, maybe a vivid neon orange, or a subtle violet?
The biggest
mistake I see in wannabe writers is thinking they will be the next Emily
Dickenson, that when they are dead, someone will come along and find their
clever words and finally appreciate the genius that they were. Not gonna
happen. It occurred exactly once in history—and that was to Emily Dickenson. Every
other writer had to work at the craft. William Shakespeare wrote for profit and
on deadline. You are not better than Shakespeare. Hunker down. Write. Practice
your profession. We learn to write by writing.
Interesting bio and blog, Marion. Look forward to more.
ReplyDeleteThere's so much written about how to write, but very little of it comes as close as you do to giving us the bare-knuckles of what it takes.
ReplyDeleteYour personality comes thru in the tone, which turns what could have been a lecture into an enjoyable read. Now how did you do that?
Bonnie