By Kimberly
Johnson
I had no intention of reading The Soundtrack of My Life,
music mogul Clive Davis’ biography. I assumed it was a mea culpa about
the late Whitney Houston. It wasn’t. It was a handcrafted tale of how a Harvard
law grad working at Columbia Records in the late ‘50s, transformed the record
industry by becoming the producer-manager-confidante to folks like Simon &
Garfunkel and Alicia Keyes. I thought it was an industry insider’s regretful
recount of a pop diva. It wasn’t. For me, it was about a storyteller (Davis)
and a story writer (Anthony DeCurtis). Anthony DeCurtis, a 30 year veteran of Rolling
Stone magazine, employs the simplest of writing techniques to recreate the
venerable Brooklynite’s rollercoaster life.
Rollercoaster ride 1: ‘ 70s icon Barry Manilow. DeCurtis
chronicled the music lawyer’s tempestuous “handling” of the songwriter. By
infusing a casual tone, the author made me feel like I was there when Davis and
Manilow slugged it out over Mandy, a song that Manilow detested. Davis won: 1974’s Mandy
catapulted Manilow into the stratosphere.
Rollercoaster ride 2: American Idol runner ups Clay Aiken and Chris
Daughtry. DeCurtis glosses over the producer’s “I know what’s best for you”
attitude by portraying Davis
as a veteran trying to mentor neophytes.
Rollercoaster ride 3: Whitney Houston. DeCurtis threads the needle
on a sensitive subject: Houston ’s
career and untimely death. He helps the producer to combat the Svengali
“handling” of Houston
by portraying him as a father figure that was unaware of her demons.
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