By Michelle
Gwynn Jones
When it
comes to character development, I have no problem coming up with the main
character and the secondary or supporting characters. I see them clearly in the office, at the
crime scene or eating an ice cream cone by the river. What bogs me down are the tertiary
characters. I don’t mean the throwaways
ones like the guy who sells them their frozen treat, but the one who will
contribute in some significant way. I
found myself spending way too much time sitting in front of the computer
contemplating whether they are a man or a woman or simply picking their
name.
Then about
a year ago I found a solution to my problem.
While with a friend, we ran into a co-worker of hers at the store, a
woman I had never met, but I recognized her co-shopper as the mother of a child my son played T-ball
with. When you live in a town of twenty
thousand residents you bump into people you know from one place or another all
the time at the dry cleaner, the dentist or the dump.
That’s when
I decided I could, and should, recycle my characters.
Everything
I write takes place in the fictional town of New Grace, South Carolina, a town
approximately the same size of the one I live in. It seems so natural to cross over my
characters. The detective from my
Rachel Shorte Mysteries is investigating a crime in my Reese Millridge
novel. The mother of twins in The Man in
Black crosses paths with a serial killer in another work in progress. Rachel Shorte’s law partner turns out to be
the mother of one of the teenage girls in Transferred Intent.
The
character’s history is not important to the roles I am now presenting them
in. A person reading Reese Millridge
does not need to know about the complicated life of the detective’s girlfriend
or that the young mother was there when
a hit man took out his target or that the attorney has her own problems with the
Sheriff’s Department.
A friend
reading Reese Millridge called to say she just came across the detective in the
wrong series. I knew exactly what page
she was on. When she finished the novel,
we discussed his appearance in the book.
She told me having read books in both series the crossover was a nice
touch and agreed if she hadn’t read the other book she wouldn’t have given him
much thought other than his investigation.
She said she liked having intimate knowledge of his personal life; it was
like reading a newspaper article in which a friend is mentioned.
I am enjoying scattering my characters about town through my
writing, but like anything else fun, it comes at a cost. Now I need to keep a character sheet for
people who were once throwaways, and not only must I maintain a meticulous
timeline for each story, I need to make sure their timelines are in line with
each other.
Actually sitting here writing this, I have to ask myself if my
solution to tertiary
characters takes up more of my time than I wasted staring at the computer screen
before; but it’s too late to turn back
now, I’m addicted.
As a reader, I enjoy seeing characters from various stories pop up in others. It provides more of an insight into the entire community.
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