By Amanda Simays
Some people can start typing the beginning of a story and
write all the way through until the end. I am not one of those people. Blinking
cursors on blank Word documents intimidate me. How do you turn an idea for a
scene into a fully-written one? Everyone has to find their own system, but here
are a few strategies that work for me:
1.
Warm up by playing with words
Here’s a carefully crafted poem revealing fundamental truths
about the dichotomy between nature and civilization in modern society with lots
of metaphors about mankind’s philosophical state of
being:
Long went the afternoon banquetsTasting nothingHanging the misty berriesAlong our still-ensphered homeCold, pretty eyelidsUnderneath rivers of flame ribbonsNever thereVery real
I lied. There are no metaphors in that poem, and it doesn’t
mean anything at all. It’s just an exercise I do sometimes to get into the mode
of writing. I flip open a random page of a random book on my shelf and write
down the last word of every single line on the page. Then I play around with
words, stringing as many of them together into a nonsense poem. There’s
something fun and low-stress about putting words together in a way at first
glance might deceive a fifteen-year-old editor of a high school literary
journal into thinking that I’m saying something deep about the emotional
turmoil inside my soul. But more importantly, it’s a warm-up—now the part of my
brain that twists words and creates phrases is turned on.
2.
Brainstorm webs
I’m not a linear thinker, especially when it comes to
creative exercises. Even an outline is too constraining of a medium for me to
start out with. So instead, I open up a blank page in my notebook and make a
web, jotting down phrases as they come to mind, connecting them with lines,
letting my thoughts sprawl all over the page. It’s a lot easier for me to
generate thoughts in this manner…there’s no pressure to start at the beginning
and go through until the end. Only after I’m done this exercise do I turn my
notes into a sequential outline. I try to fill up an entire page when I do this
because 1) it pushes me to generate more raw material than I might otherwise
do, and 2) filling up an entire page with notes like this aesthetically looks
really cool.
3.
Let the outline fade into a story
To me, this is the easiest way to solve the
blank-page-anxiety problem—simply start with a page that isn’t blank. I take
whatever outline or notes I have and copy and paste them into a new document.
Then I flesh out my outline, adding in every detail that comes to mind,
plugging every scrap of dialogue or piece of imagery into the appropriate spot.
I keep doing this, adding and adding, until suddenly I’m not just writing
phrases but sentence fragments…then whole sentences…and then eventually the
outline starts to morph into properly-written scene. For me, this is the
coolest part about writing. It’s like watching those “behind the scenes” DVD
extras for an animated movie where they show a cartoon animal drawn in pencil
morph into a full-color, smooth-lined animated sequence.
No comments:
Post a Comment
The moderator of this blog reserves the right to remove inappropriate comments from this blog.